Byzantine art

Byzantine art

Discuss Andrey Rublyov’s art and style as a fine example of Byzantine art.

Byzantine art refers to products of art that emanate from the Eastern Roman empire better known as the Byzantine and also those from states and countries whose culture is inherited from the empire. According to Rice (2013), its emergence is credited with Rome’s decline. The empire lasted up to the Fall of Constantinople in 1453 but nonetheless, numerous Eastern mainstream federations in Eastern Europe, and also to some extent the Muslim countries of the eastern Mediterranean, conserved many traits of the kingdom’s culture plus their art for eras thereafter.

The Byzantines drawing style is founded on the dynamic of strokes and even parts of dye relative to Form. Distinct Topographies were intimidated in to favor the standard facial type, which led to figures being flattened while the draperies were reduced to patterns of twirling lines.

Characteristics of Byzantine Art

The most distinct character, which identified Byzantine art, is that it was almost fully concerned with religious expressions notably the conversion of theology of the church into artistic expressions.  Byzantine construction and painting (a small number of sculptures were created in the Byzantine era) stayed unbroken, unidentified, and advanced inside a firm tradition. This led to a complexity of a style, which was rarely equaled in the art by the Westerners (Rice, 2013).

 Its relation to the naturalism and idealization of the ancient Greeks

In terms of fine art painting, the term “naturalism” refers an actual lifestyle that comprises the exemplification or illustration of nature (comprising persons) with the slightest conceivable alteration or explanation. There exists a pseudo-graphic quality towards the finest true-to-life paintings: it is a quality that necessitates the slightest quantity of optical element. “Contemporary” naturalism can be traced back to prosperity during the 19th century and was influenced to great levels by the legendary technique for genuineness and the term can be retraced back to the famous French writer, Emile Zola


Rice, D. (2013). Byzantine art. 8th ed. Harmondsworth, Middlesex, Eng.: Penguin, pp.110-117.

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